More Up Close and Personal Animal Portraits

Danish photographer Morten Koldby doesn’t take typical animal portraits. His ongoing series explores how animals’ facial expressions often resemble those of humans. He’s learned that their expressions run the gamut – while some animals look highly nervous, others seem surprisingly arrogant.

We first came across his series almost two years ago. His crisp portraits of everything from a giraffe to a polar bear were like nothing we had ever seen. In this follow-up set, we get to come face to face with animals like a red fox and a cheetah, wild animals we’ve never seen this up close and personal.

When asked what he hopes to accomplish with the series, Koldby simply stated, “I hope to make it possible for people to relate to these animals, and see the beauty in this part of nature.”











Morten Koldby’s website





December 6, 2016

Famous Songs Hilariously Reinterpreted as Witty One-Panel Cartoons

Cartoonist Hugleikur Dagsson hilariously reinterprets the meaning of some of the world’s most popular songs. Ranging from timeless Christmas carols to chart-topping hits, the Icelandic artist uses them as inspiration for his deceptively simple-yet-clever line drawings. As a result, their biting wit puts a whole new spin on the melodies we thought we knew. These one-panel cartoons are ripe with parody. Dagsson takes a snippet of a song—such as its title—and builds a whole stick-figure world around it.

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December 6, 2016

Ballerina Combines Intricate Beauty of Russian Ballet and Architecture

Russian photographer and ballerina Darian Volkova takes an innovative approach to exploring St. Petersburg’s architecture with her new ballet photography series Ballet House Tales. While she typically shoots backstage life at the ballet, these stunning images prove that her photography is not limited to straight reportage. By placing ballerinas in these these decadent houses, she fills the space with a new spirit. Each dancer melds into her surroundings, molding herself to the surfaces.

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