Sex and the City Movie Sequel

During an interview with the Daily Express Sarah Jessica Parker confirmed that a sequel is in the works. Unlike Miranda and Charlotte Carrie will not be a mom anytime soon. Sarah Jessica Parker told the Daily Express,

It doesn’t seem as if that’s going to be a choice she’ll make. I don’t know. Michael [Patrick King, director] and I never talk about it. That doesn’t mean that won’t be part of the story. We just haven’t figured it out. It feels a bit manipulative to toss that into the mix, because she seems so pointed in a different direction.

I have to agree with Sarah Jessica Parker on this one. As much as I lover her being married, the movie would suck with three moms. Besides it’s not like like Carrie to suddenly want a baby. I think she married Big because she loves him and doesn’t want to lose him again. If not for that she’d still be trolling around New York dating various guys and continuing her column. Needless to say I cannot wait for the sequel to come out.





December 2, 2016

Sexy French Farmers Pose for Shirtless 2017 Calendar

Last year, the holiday season was set ablaze by France’s Pompiers Sans Frontières (Firefighters Without Borders) and their sizzling, stripped-down calendar. Shot for a good cause by renowned Paris-based fashion photographer Fred Goudon, the risqué calendar proved to be a popular Christmas gift—both in France and abroad. In keeping with tradition, Goudon has photographed a new crop of au naturel pin-up models for his 2018 edition: French farmers.

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December 1, 2016

Meticulous Landscape Paintings Beautifully Represent Intangible Emotional States

Artist Crystal Liu intimately ties her emotional states to beautiful abstract paintings. In large-scale works, she constructs landscapes that are metaphors for the intangible forces that drive us. Visually, elements of the Earth and sky are the actors for the feelings we cannot easily imagine. Together, the sun, mountains, and more depict “narratives of conflict, entrapment, longing, and precarious hope.” These symbols allow Liu to seem removed, yet make the pieces deeply personal.

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