Today, the subject matter of The Birth of Venus seems typical of the Italian Renaissance, as a Classical influence characterized the success of the period. At the time, however, it was among the first pieces showcasing this approach. In the case of The Birth of Venus, this Classical inspiration is evident in its mythological subject matter and the unprecedented prominence of the female nude.
Like Botticelli, contemporaneous greats like Michelangelo, Leonard da Vinci, and Raphael, also incorporated Classical inspiration into their artwork. However, their pieces mostly remained rooted in Christian iconography. With The Birth of Venus, Botticelli revived the mythological interests found in Classical antiquity. Specifically, he adopted Venus (or Aphrodite, her Greek equivalent)—a particularly popular figure in ancient art, including the Venus de Milo, a famous sculpture from the first century BC—as his subject.
Prominence of Female Nude
While nude females feature regularly in ancient Greek painting and sculpture, they were not included in western art again until Botticelli’s Birth of Venus. Following this re-introduction, however, unclothed female figures would appear in most major movements, from Art Nouveau to Post-Impressionism.
Today, The Birth of Venus is recognized as one of the most iconic works of art. With an influence evident in everything from art-minded fashion photography to masterpiece-inspired hairstyles, its enduring role in contemporary art and culture is as prevalent as its place in the history of art.