{"id":410609,"date":"2021-06-15T12:55:35","date_gmt":"2021-06-15T16:55:35","guid":{"rendered":"https:\/\/mymodernmet.com\/jorg-glascher-second-wave-wood-art-installation\/"},"modified":"2021-06-16T15:24:45","modified_gmt":"2021-06-16T19:24:45","slug":"jorg-glascher-second-wave-wood-vagues","status":"publish","type":"post","link":"https:\/\/mymodernmet.com\/fr\/jorg-glascher-second-wave-wood-vagues\/","title":{"rendered":"Ces Vagues Ondulantes de Bois Mort Envahissent une For\u00eat Isol\u00e9e en Allemagne"},"content":{"rendered":"

Lors de la deuxième vague de COVID-19<\/a> à l'automne 2020, les inquiétudes concernant le virus imprévisible étaient à leur paroxysme. En Allemagne<\/a>, comme dans la plupart des autres pays du monde, les effets de la pandémie ont dominé la vie quotidienne à un degré sans précédent. Au milieu de la peur et de la confusion, le photographe allemand Jörg Gläscher<\/a> a canalisé ses inquiétudes concernant l'état du monde dans quelque chose qu'il pouvait contrôler : son art.<\/p>\n

Dans une forêt près de Hambourg, Gläscher a construit une installation<\/a> de neuf vagues de bois mort colossales, censées incarner “le pouvoir pur de la nature, la force destructrice, qui immobilise complètement l'un des pays les plus riches du monde”. Il a fabriqué les structures massives à la main, photographiant chacune individuellement avant de la détruire et de recycler le matériau en bois pour construire la prochaine houle. Le plus grand d'entre eux mesurait près de 4 mètres de haut et 9 mètres de large.<\/span><\/p>\n

Faisant partie d'un projet diaristique plus vaste que Gläscher appelle <\/span>C19, 1-20, The Diary Complex<\/a>, The Second Wave <\/span><\/i>est le numéro 18 sur 20 pièces, allant de la sculpture à la photographie, que l'artiste a achevées pendant la pandémie. Il a depuis rendu son travail disponible dans une série de magazines<\/a> auto-édités, documentant chaque tranche de son journal visuel. Plusieurs des pièces sont également accompagnées d'un texte écrit par l'artiste qui sert à distiller le thème général de l'œuvre sous forme écrite.<\/span><\/p>\n

“Une onde est une oscillation périodique ou un changement de perturbation ponctuel dans l'état d'un système”, écrit<\/a> Gläscher dans le texte accompagnant <\/span>The Second Wave<\/span><\/i>. “Un objet perçu peut générer un impact de plusieurs manières. Est-il immobile ? A-t-il bougé ? Rien n'est jamais ce qu'il paraît. Les apparences sont-elles donc trompeuses ? Pas nécessairement trompeurs, mais elles me rejoignent dans un voyage, me submergent, tourbillonnent en moi, me rendent anxieux, reculent, puis se précipitent à nouveau vers moi.”<\/span><\/p>\n

“Debout, la deuxième vague roule sur moi. C'est unique, c'était unique. Je lève la tête, la prends par la main et reconnais la vibration et la sensation récurrente, et avec elle la peur disparaît.”<\/span><\/p>\n

Faites défiler pour voir les images de <\/span>The Second Wave<\/span><\/i>. Pour en savoir plus sur le travail remarquable de Gläscher, visitez le site Web<\/a> de l'artiste ou suivez-le sur Instagram<\/a>. Vous pouvez également acheter les quatre volumes de <\/span>C19, 1-20, The Diary Complex<\/span><\/i> en visitant sa boutique<\/a>.<\/span><\/p>\n

Le photographe allemand Jörg Gläscher a construit une installation colossale de neuf vagues de bois mort dans une forêt isolée.<\/h2>\n

Il les a complétés lors de la deuxième vague de la pandémie de COVID-19 comme moyen de faire face aux angoisses induites par l'état du monde et le virus imprévisible.<\/h2>\n

Jörg Gläscher : Site Web<\/a> | Instagram<\/a> | Facebook<\/a> | Shop<\/a><\/strong><\/h4>\n

My Modern Met a obtenu la permission de partager les photos de Jörg Gläscher.<\/em><\/h4>\n

Articles Similaires <\/span>:<\/h2>\n

Ces Peintures du XIXe Siècle Offrent une Représentation Magique du Mouvement des Vagues<\/a><\/h4>\n

Matt Burgess, Le Photographe Qui Capture les Différentes “Humeurs” des Vagues<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Lors de la deuxième vague de COVID-19 à l’automne 2020, les inquiétudes concernant le virus imprévisible étaient à leur paroxysme. En Allemagne, comme dans la plupart des autres pays du monde, les effets de la pandémie ont dominé la vie quotidienne à un degré sans précédent. Au milieu de la peur et de la confusion, […]<\/p>\n","protected":false},"author":726,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[379583],"tags":[380051,386000,380676,380678,380772,385997,379920,379715,385998,63593],"class_list":["post-410609","post","type-post","status-publish","format-standard","hentry","category-installation-fr","tag-art-fr","tag-art-bois","tag-coronavirus-fr","tag-covid-19-fr","tag-installation-fr","tag-jorg-glascher-fr","tag-nature-fr","tag-sculpture-fr","tag-second-wave-fr","tag-wood-art"],"acf":[],"yoast_head":"\nCes Vagues de Bois Mort Envahissent une For\u00eat Isol\u00e9e en Allemagne<\/title>\n<meta name=\"description\" content=\"Le photographe allemand J\u00f6rg Gl\u00e4scher a construit une installation colossale de vagues de bois mort dans une for\u00eat isol\u00e9e au milieu de la 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Quand elle n\u2019\u00e9crit pas, elle aime faire de la musique, se perdre dans un livre et profiter de la vie anim\u00e9e \u00e0 Londres.","url":"https:\/\/mymodernmet.com\/fr\/author\/leyla\/"}]}},"_links":{"self":[{"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/posts\/410609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/users\/726"}],"replies":[{"embeddable":true,"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/comments?post=410609"}],"version-history":[{"count":6,"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/posts\/410609\/revisions"}],"predecessor-version":[{"id":410842,"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/posts\/410609\/revisions\/410842"}],"wp:attachment":[{"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/media?parent=410609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/categories?post=410609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mymodernmet.com\/fr\/wp-json\/wp\/v2\/tags?post=410609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}