More Charming Photography by Rodney Smith

Last year, My Modern Met conducted an exclusive interview with photographer Rodney Smith (part 1 and part 2) that gives great insight into the mastermind's technique and philosophies about art. Within the thorough Q&A, Smith discusses his brand of aspirational photography. We are so pleased to share more of Smith's exceptional work that is equally refreshing and uplifting.

Part of the enchantment of the New York-based photographer's productions lie in their whimsical qualities in collaboration with stunning visuals, both technically and artistically. The self-proclaimed “landscape photographer who places people in landscapes” certainly has an eye for location and the skill to compose a beautiful photograph within each space. The dated costuming coupled with exquisite locations and the occasional appearance of modern technology make for an interesting amalgamation of styles. It's hard to believe that much of the experienced photographer's portfolio relies heavily on spontaneity.

Smith's ability to capture such magical and enlightening scenes in the moment is a testament to what a brilliant force he is in creating urban fairy tales and surreal imagery without the deceiving employment of photo manipulation in post editing. Shooting solely on film, the old school photographer has a sense of pride in retaining the integrity of the art form by practicing technique rather than shortcuts. “Almost 99% of everything you see in my pictures was shot in camera,” says Smith. We remain incredibly charmed by Smith's work. To stay updated on the photographer's art, we suggest checking out his blog, which he updates regularly.





















Rodney Smith's website

Pinar

Pinar Noorata is the Managing Editor at My Modern Met. She is a writer, editor, and content creator based in Brooklyn, NY. She earned her BA in Film and Media Studies from CUNY Hunter College and is an alumni of the Center for Arts Education’s Career Development Program in NYC. She has worked at NBC Universal, Penguin Books, and the Tribeca Film Festival as well as many other independent media companies. When she isn’t writing, editing, or creating videos herself, Pinar enjoys watching movies—anything from foreign art house films to mainstream blockbusters.
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