In addition to its golden style and subject matter, The Kiss is celebrated for other details distinctive of the artist. These include the presence of contrasting patterns, a bright color scheme, and fine lines.
Like many painters of the Vienna Secession—a movement formed by Austrian artists interested in breaking free from tradition—Klimt employed a highly decorative style in most of his works. This approach materialized mostly as patterns, which have a strong presence in The Kiss. From radiating rings and swirling spirals to rectangular blocks and concentric squares, the shapes and forms featured in the painting showcase Klimt’s attention to detail.
Though he is predominantly renowned for his liberal use of gold, Klimt also often employed a radiant rage of colors in his compositions. This is particularly apparent in the stylized flowers that adorn the scene. These floral embellishments are evident in the hair of the embracing subjects, as well as in the grass in which they’re kneeling. They are made up of an array of tones, including purple, white, blue, green, red, and orange, and add a touch of matte color to the nearly entirely reflective canvas.
While many people recognize The Kiss for its bold pattern-work and shimmering paint, the fine lines that compose its figures are also characteristically Klimt. The artist’s skilled draughtsmanship is especially evident in his rendering of the female subject. Her soft face features intricate eyelashes and a delicately-defined nose, while simple lines compose her gently bent hands.
Even with such a striking ability to gracefully conceive figurative yet dreamy subject matter, Klimt was unsure of his talents’ true merit. “I can paint and draw,” he explained. “I believe this myself and a few other people say that they believe this too. But I’m not certain of whether it’s true.” Given the everlasting influence and enduring admiration of The Kiss, however, there’s little room for doubt.