Fine Art Photographers Who Define the Medium
What Stieglitz started, many others carried on, each in their own, distinct manner. From the lush black and white landscapes of Ansel Adams to the groundbreaking work of Nan Goldin, here is a look at the famous fine art photographers who helped push the genre forward.
American photographer Paul Strand was highly active in promoting photography as an art form, with Stieglitz even exhibiting his work in his gallery and writing about his photography in his publication Camera Work.
He often experimented with using the camera to create abstraction in his images and embraced ideas similar to painters and sculptors, simply applying them to his photography. He later turned his focus on how photography could be a tool for social change and reform, yet always retained his artistic vision across his career, which spanned six decades.
As a significant contributor to the Dada and Surrealist movements, Man Ray‘s work spanned a wide variety of media. His ability to move seamlessly between painting and photography, giving them equal value in his repertoire, helped break stigma against photography as fine art.
Indeed, his artistic eye greatly informed his commercial work, where he specialized in portrait and fashion photography. He also experimented with photograms as a form of expression.
No discussion of landscape photography would be complete without including the legendary Ansel Adams. As a photographer and conservationist, his black and white landscape photography demonstrates that many different genres can be considered fine art.
Adams’ careful compositions and his ability to open up nature, giving viewers a different viewpoint on the landscape, elevate his work. He proved that nature photography could not only have an impact on conservation issues, but could also compete as high art.
American fashion photographer Richard Avedon used his camera not only to capture models in elegant attire, but to tell stories and evoke emotions. From his minimalist, large-scale portraits that reveal the inner emotions of celebrities like Marilyn Monroe, to bringing model Dovima out of the studio and into the circus, his work revolutionized the industry.
Diane Arbus’ work, which focused on marginalized people, gave voice to those who were considered ugly or imperfect. Circus performers, dwarves, nudists, and transgender people were all subjects of her work, which has been characterized as surreal.
Though she was considered a documentary photographer, artistic elements are always present in her work, which was met with success in her lifetime. In 1967 she participated in an exhibition at the MoMA in New York and that institution, as well as the Metropolitan Museum of Art, purchased several photographs for their collection. In 1972, one year after her death, she became the first photographer to exhibit at the prestigious Venice Biennale.
Cindy Sherman uses her photography as a means to act out a range of situations, using herself as her primary model. More than standard self-portraits, Sherman disguises herself, acting as photographer, costumer, makeup artist, and director to set up tableaus that range from bored housewife to Hollywood actress.
With a career spanning over 30 years, Sherman is widely considered one of the top artists in the contemporary art field. Her work acts as an illusion, for its seeming realism is actually a highly planned out ode to artifice.
In the 80s, his work evolved into focusing on still life images of flowers and statuesque nudes that appear influenced by classical art. He was also instrumental in influencing a love of photography as fine art in his partner and benefactor Sam Wagstaff, who sold off his collection of paintings in order to begin collecting photography. This collection was later sold to the J. Paul Getty Museum for a report $5 million.
Starting with her first solo show in 1973, Nan Goldin has always used her camera to document the lives of those she loved, focusing primarily on the LGBT community. Photographed without judgment, her images of everyone from drag queens to drug addicts is a raw depiction of life.
Goldin’s work is often presented as slideshows set to music, such as her most famous work The Ballad of Sexual Dependency, which debuted at the Whitney Museum of American Art. Consisting of images taken between 1979 and 1986 in Goldin’s Bowery neighborhood, it was controversial for its unflinching depiction of heroin addiction and gay culture in a post-Stonewall New York.
Canadian fine art photographer Jeff Wall is known for his large scale photographic tableaux. His early work was influenced by the great painters of art history, such as Velázquez and Manet, has he made subtle references to their works through his compositions.
Wall’s work has evolved over time, with him experimenting widely on how photography can be manipulated. His work Milk was part of a series of seemingly mundane, candid images that were, in actuality real life incidents later restaged with non-professional actors for cinematic effect. Since the 90s, Wall has become increasingly interested in digital manipulation, using laying multiple images within one final, composite composition.
Andreas Gursky, widely hailed as one of the top fine art photographers of the 21st century, is known for his monumental photography. His work Rhine II was auctioned in 2011 for $4.3 million, making it the most expensive photograph ever sold.
Using scale to place his work on the level of the Old Master painters, the German photographer captures architecture and nature from unique angles that highlight the symmetry and color that elevate the subject. Gursky has also begun incorporating digital manipulation into his practice, using this to emphasize certain characteristics, such as spaces that are too large to be natural. His 6-foot by 8-foot image Times Square, New York from 1997 is a good example of a space that is real, but has been manipulated to achieve Gursky’s artistic vision.
John Goto defines himself as a photo-digital artist, using photography to create digital collages about social and political themes. Often irreverent and satirical, Goto’s work creates a strong narrative through its layers of imagery.
In 2007 the Telegraph listed him as one of the top 100 living geniuses. Coming from a background in painting, Goto started off with traditional photography before transitioning into digital art. He is a firm believer “that digital technology has created a synthesis between forms of painting and photography.”