Posts by Sara Barnes

Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.

November 14, 2017

Baroque-Inspired Portraits Celebrate the Beauty of Black Girls’ Natural Hair

Atlanta-based CreativeSoul Photo brought an inspiring artistic vision to life that highlights the beauty of black girls and their natural hair. Regis and Kahran are the husband and wife duo behind the photography studio, and their series Afro Art represents their expertise in capturing portraits as well as visual storytelling. The striking images feature young girls in elaborate costuming and hairstyles, from a Baroque-era aesthetic to steampunk clothing to fierce high-fashion ensembles.

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November 10, 2017

Paris Apartment Looks Exactly Like a Wes Anderson Film Inside (and It’s For Sale)

Director Wes Anderson is known for his visually striking aesthetic in both how his characters look and the places they inhabit. There are entire subreddits and Instagram accounts dedicated to finding locales that have the same sort of off-beat colors and vintage-style opulence that make his films so alluring. With projects like Accidental Wes Anderson, however, we hardly ever see what’s beyond the facade of these quirky buildings—until now.

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