Art

April 12, 2013

Spectacular Cherry Blossom Murals Made with Hand Prints

In Onahama, Japan, following the Great East Japan Earthquake, a project known as Okurie emerged that involves painting murals onto buildings that are scheduled to be demolished. Nearly two years later, artist Yosuke Tan, aka untangle, paid a visit to one site of an Okurie at Iwaki Sogo High School where recent graduates of the now-vacant educational institution gathered to commemorate the building they spent their high school days in.

Read Article


April 8, 2013

LED Lights Illuminate Layers of Organic Forms on Glass

In these Illuminated Paintings by New York-based artist Peter Bynum, the traditional expectations of a standard painting are questioned and then broken. Bynum creates each work by splattering, dribbling, and dropping acrylic paint onto glass and allowing it to take on its own natural structure. He then mounts the panes of glass together to form layers of shapes that create a certain depth to the otherwise flat organic forms.

Read Article


April 7, 2013

3D Papercraft Flame

In order to celebrate the 75th anniversary of Diocese de Aveiro, a Portuguese Roman Catholic event, Aveiro University students Jos...

Read Article


April 3, 2013

3D Mural Shows Opposite Reactions to Colorful Rain

CMYK is a three-dimensional mural created by the Norway-based design collective, Skurktur. Using spray paints, stencils, and a variety of mixed media, the artists produced this playful scene in which a young child and a grown man react very differently to the colorful “rain” dripping down the side of the building. The flat stenciled shapes interact seamlessly with the drips of water and the half-umbrella protruding from the wall.

Read Article


March 31, 2013

Faces Emerge from Colorful Rows of Dots

New York-based artist Nathan Manire approaches his Dot Portraits with an abstract, graphic process. He uses large dots and a broad color palette to build his subjects' faces with watercolors. Up close, viewers see colorful circles, neatly arranged in organized rows. To more fully appreciate Manire's pointillist techniques, viewers need to squint their eyes or step back from the image in order to see the faces emerge from the large patterns of circular shapes.

Read Article