Installation

March 22, 2018

Gigantic Crocheted Doilies Take Over Gallery Walls Like Beautiful Spider Webs

Since 2011, Californian artist Ashley V. Blalock has been creating site-specific installations filled with gigantic, hand-crocheted doilies. Back in 2014, Blalock’s ongoing Keeping Up Appearances installation series was sprawling across gallery walls, stairwells, ceilings, and floors. Today, the red cotton crochet doilies continue to grow in size, as they spread across indoor and outdoor locations. Resembling giant spider webs, Blalock’s textile installations sometimes reach as high as 15 feet.

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February 20, 2018

Incredible Installations Suspend Stormy Ocean Waves Indoors

Berlin-based Argentinian artist Miguel Rothschild’s latest installation art captures the often stormy nature of the ocean and sky. Taking inspiration from poetry and biblical references, his installations titled Elegy and De Profundis are made by suspending large reams of printed fabric with transparent fishing wire. Both pieces cleverly play on perception, appearing as both the ocean or the sky, depending on the viewer’s position.

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January 26, 2018

Colorful Installation Transforms Warehouse Into a Psychedelic Painting

Berlin-based artist Katharina Grosse is renowned for transforming industrial gallery spaces, architecture, and landscapes into otherworldly environments that burst with vibrant color. Rendered in spray-painted fabric, the artist’s latest installation titled The Horse Trotted Another Couple of Metres, Then it Stopped transforms Sydney’s contemporary art center—a giant warehouse called Carriageworks—into a magnificent, immersive kaleidoscope painting. Commissioned by Sydney Festival 2018, Grosse filled the warehouse with nearly 90,000 square feet (8,000 square meters)

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January 17, 2018

Artist Recreates Gritty Details of Abandoned Buildings as a Rundown Dollhouse

Street artist Alice Pasquini transports us into a transitional world with her new installation The Unchanging World. An almost 4-foot-tall dollhouse is the stage for her work, which has been brought down to a miniature scale in order to visually represent our transition from childhood to adulthood. At first glance, the 1:10 scale model appears abandoned by time. Yet, a closer look reveals the careful intention with which Pasquini has dressed the dollhouse.

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