Interview

April 29, 2025

New Street Art Festival in a Small French Village Gets a Community Excited With Massive Murals [Interview]

Planning a large-scale event is not for the faint of heart. There is an incredible payoff when the whole thing goes according to plan, although getting to that point requires a lot of logistics and work behind the scenes. But when it’s beyond a success, it affects more than the people involved in the planning; it can light up an entire community.

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April 14, 2025

Gravity-Defying Photos Capture the Human Body in Poetic Motion [Interview]

Whether it be in painting, illustration, or photography, movement can be notoriously difficult to communicate in a static medium. This conundrum doesn’t concern Mathieu Forget. In his photographs, fencers leap toward each other with their swords drawn; martial artists and tennis players are suspended in the air; and breakdancers twist around each other, their limbs fluid and graceful. Though captured in single, unmoving images, the energy and dynamism expressed by these figures is remarkably palpable.

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April 5, 2025

Why This Photographer Dedicates Her Practice to the Quiet Strength of Horses [Interview]

Growing up on a farm in Denmark, photographer Katja Jensen encountered countless animals. Horses, above all else, proved to be her favorite. This fascination, though beginning early in her childhood, only intensified over time and has served as a sort of unifying “thread” throughout her life. Since then, Jensen has dedicated herself to equine photography, capturing the allure, intrigue, and majesty of horses in a variety of global contexts.

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April 2, 2025

Self-Taught Painter’s Evocative Art Straddles the Line Between Figurative and Abstract [Interview]

Haitian-American artist Patrick Eugène‘s oil paintings straddle the line between abstract and figurative art. They sit in an area that almost appears Post-Impressionistic on the verge of Cubism; yet, at the same time, they are decidedly contemporary. His paintings are all the more impressive when looking at his creative process, which forgoes a traditional sitter or reference image, allowing him to paint freely and spontaneously.

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