Teardrop-Shaped Camping Trailer Is Designed for Outdoor Adventures Off the Grid

Vistabule Camping Trailer

Designed by Burt Taylor, the Vistabule is a teardrop-shaped trailer that has been around since the 1930s, and were originally used by travelers during the Great Depression, in search of greener pastures. From its first design, the Vistabule has since evolved into a Space-Age, fully-customizable, adorably-sized camping trailer.

Described as “a room with a view, a window to the world,” the Vistabule’s huge, frontal windows offer stunning panoramic views. At a total body length of 14 feet, they may be small, but there’s enough space for a queen-sized sofa-bed, a kitchenette, and storage space. The kitchenette features a sink with running water, a two-burner stove, and enough storage for your pots, pans, and spices.

The Vestibule is not only packed with space-saving features, but thoughtful, practical touches as well. For example, the additional side and porthole windows pop open to let in the breeze, but also keep out the bugs, thanks to handy integrated screens. And when it’s meal time, you can find fold-out tables on the Vistabule’s doors, in addition to a pop-up floor-mounted table.

Ready for an adventure? You can customize your own Vistabule via the company’s website.

The Vistabule camping trailer is perfect for outdoor adventures.

Vistabule Camping Trailer

Vistabule Camping Trailer

Vistabule Camping Trailer

Vistabule Camping Trailer

Vistabule Camping Trailer

Even though they’re small, there’s space for a queen-sized bed, and even a kitchenette.

Vistabule Camping Trailer

Vistabule Camping Trailer

Vistabule Camping Trailer

Its frontal windows offer panoramic views—the perfect place for stargazing.

Vistabule Camping Trailer

Vistabule Camping Trailer

Vistabule: Website | Facebook | Instagram | Pinterest
h/t: [designboom]

All images via Vistabule.

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Emma Taggart

Emma Taggart is a Staff Writer and Video Editor at My Modern Met. She earned a BA in Fashion and Textile Design at the University of Ulster in Belfast. Originally from Northern Ireland, she lived in Berlin for many years, where she fostered a career in the arts, dabbling in everything from illustration and animation to music and ceramics. She now calls Edinburgh home, where she continues to work as a writer, illustrator, and ceramicist. Her ceramics, often combined with hand-painted animation frames, capture playful scenes that celebrate freedom and movement, and blend her passion for art with storytelling. Her illustrations have been featured in The Berliner Magazine as well as other print magazines and a poetry book.
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