Sculpture

March 20, 2019

Artist Turns Colorful 8-Bit Computer Graphics into 3D Sculptures and Paintings

Argentinian-Spanish artist Felipe Pantone is a self-described “child of the Internet era.” Through art, he explores color, light, and form with works that look like 8-bit graphics and pixelated computer glitches. His recent exhibition in Shanghai, called Distance, Speed, Time, Formula, presents an incredible technicolor series of graffiti, paintings, and 3D sculptures. Walking into the gallery showroom was like stepping into a computer world from the ‘80s.

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February 12, 2019

Interview: Artist Carves Awe-Inspiring Landscapes Out of Obsolete and Outdated Books

For years, we've been captivated by the inventive creations of interdisciplinary artist Guy Laramée. Boasting a diverse background, Laramée is well-versed in all kinds of art forms, from painting to performance art. If you leaf through his work, however, you will find that his ongoing series of Bookwork appears to be his most passion-filled project. Using innovative sandblasting techniques, Laramée transforms the pages of outdated encyclopedias and obsolete dictionaries into sprawling landscapes.

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February 7, 2019

Spectacular Sculptures Formed from Thousands of Seashells

British multi-media artist Rowan Mersh is attracted to the beauty of the natural world, using thousands of seashells to create mesmerizing contemporary sculptures. His experimental approach has him transforming ordinary objects into high art, with the results revealing close attention to shape, color, and geometry. Whether it's a wall hanging or a freestanding sculpture, each piece can take between two to six months to complete.

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February 1, 2019

Ceramicist Uses Science to Craft Clay Bowls Covered in Electroformed Crystals

Ceramicist Sabri Ben-Achour believes that “humans are primed to find beauty in the orderly disorder of nature.” This primal understanding has informed his entire practice, culminating in a growing collection of striking organic bowls. Crafted using controlled processes and intended to resemble natural formations, these vessels speak to Ben-Achour's interest in blurring the line between art and science. Ben-Achour's preference for clay is no coincidence.

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