Mystifying Light Drawings of New York in the 1970s


While artist Eric Staller’s light drawings are beautiful in and of themselves, take into account that they were created in New York back in the 1970s using just a Nikon 35mm film camera, 4th of July sparklers and Christmas lights and you can’t help but be blown away. By day, Staller would walk around New York, studying the locations he felt would “articulate the particular choreography or architecture of light” that he wanted to express. At night, he would carefully position his camera on a tripod and, with the lens open for several minutes, he would purposefully move about urban spaces; outlining cars, streets and stairways and even forming magical-looking tunnels brought to life through his imagination.

Light Drawings, 1976-1980 were exhibited worldwide and received a lot of attention from art galleries and publications. As he tells us, “Even the most technical people in the photography world were mystified about how these photos were made.”









Eric Staller’s website





December 2, 2016

Sexy French Farmers Pose for Shirtless 2017 Calendar

Last year, the holiday season was set ablaze by France’s Pompiers Sans Frontières (Firefighters Without Borders) and their sizzling, stripped-down calendar. Shot for a good cause by renowned Paris-based fashion photographer Fred Goudon, the risqué calendar proved to be a popular Christmas gift—both in France and abroad. In keeping with tradition, Goudon has photographed a new crop of au naturel pin-up models for his 2018 edition: French farmers.

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December 1, 2016

Meticulous Landscape Paintings Beautifully Represent Intangible Emotional States

Artist Crystal Liu intimately ties her emotional states to beautiful abstract paintings. In large-scale works, she constructs landscapes that are metaphors for the intangible forces that drive us. Visually, elements of the Earth and sky are the actors for the feelings we cannot easily imagine. Together, the sun, mountains, and more depict “narratives of conflict, entrapment, longing, and precarious hope.” These symbols allow Liu to seem removed, yet make the pieces deeply personal.

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