Art

July 16, 2025

Surreal Sculptures of Fragmented People Inspiring Self-Reflection [Interview]

South African artist James Cook’s sculptures weren’t always grounded in abstraction. Before he began creating the fragmented, dreamy sculptures for which he’s become known, he mostly stayed within the lines. At first, this was an attractive option for him: there was a “technical challenge” implicit in “capturing the human form with precision,” the artist tells My Modern Met, yet he often felt that the final results remained “static.

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July 15, 2025

Hyperrealistic Artist Reveals the Drawing He Almost Gave up on and What It Taught Him [Interview]

Hyperrealistic drawing combines technical skill and the determination to depict something exactly as the human eye sees it. While that alone is impressive, adding an element of surrealism makes it both technically awe-inspiring and stimulates our intellectual curiosity. South African artist Jono Dry creates drawings so masterfully hyperrealistic that you’d think they were photographs if not for their very surreal elements.

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July 13, 2025

20 Years of Vhils’ Exceptional Art Now on View in Retrospective Exhibition

Portuguese street artist Alexandre Farto, also known as Vhils, rose to fame thanks to his innovative technique of drilling portraits onto the surface of walls. Now, his career is being celebrated with a major exhibition at Munich's Museum of Urban and Contemporary Art (MUCA). Strata is a comprehensive look at Vhils' artistic production over the last two decades.

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July 10, 2025

Exquisite Wooden Sculptures Move Like Real-Life Computer Glitches

For three decades, Han Hsu Tung has managed to stop time. With his exquisite wooden sculptures, Tung freezes his subjects in mid-motion, pixelating limbs, faces, and entire bodies as if they’re buffering, awaiting the moment in which they may move once again. Recently, however, the Taiwanese artist has revisited how he represents movement entirely, opting instead to integrate it more literally. All Beings is one such sculpture.

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