Statues of Blinded Men Ascending High into the Sky

Karma is an intriguing sculptural installation by Korean artist Do Ho Suh that presents countless men sitting atop one another while shielding each other's eyes. Like his Cause & Effect piece, which features a spectacular tornado of figurines, Karma presents figurative sculptures ascending into the sky like a human ladder. However, in addition to being perched on each other's shoulders, they are successively blinding one another which leads one to wonder: Why?

The artist has caught our attention over the years with misplaced houses, a robe made of dog tags, and symbolic floor installations; but it's his use of the human form that is most thought-provoking. His work continually questions one's identity and individuality by using the human body. These stainless steel men, though recognizably different entities, appear to move as one. While the piece is open for interpretation, it makes one question whether the idea behind it is to present the figure of a man blindly following in the path of his ancestors before him, who have risen a step closer to the heavens with each new successor in the lineage.


Images via [Lehmann Maupin, Alan Teo, Eric Harvey Brown, CamWall]
via [L'acte Gratuit]

Pinar

Pinar Noorata (she/her) is the Editorial Director at My Modern Met. She is a writer, editor, and content creator based in Brooklyn, New York. She earned her BA in Film and Media Studies from CUNY Hunter College. She has worked at major TV, film, and publishing companies as well as other independent media businesses. She also runs her own art & culture newsletter called The High Low. She first joined the My Modern Met team in 2011 as a Contributing Writer, pitching and publishing articles about a wide range of topics. Her expertise in visual media lends itself to in-depth analysis of varied art forms, including but not limited to painting, illustration, sculpture, installation, design, and photography. Pinar has a particular affinity for spotlighting up-and-coming artists, affording them a platform and offering a voice to lesser-heard individuals looking to break through, especially BIPOC creatives. She has helped multiple artists make a name for themselves and reach a wider audience over 10+ years as a writer and editor (both through long-form articles and short-form videos). When she isn’t writing, editing, or creating videos herself, Pinar enjoys watching films and TV, reading, crafting, drawing, frequenting museums and galleries, and volunteering at her local animal shelter.
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