Elegant Ceramic Vessels Use Famous Optical Illusion to Animate the Space Between Them

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To really appreciate Greg Payce’s artwork, you’ve got to read between the lines—or in this case, look between the vases. In 2008, the Canadian ceramicist created an alluring sculptural arrangement called Alumina, in which seven ornate vases stand in a line on a concrete platform. They are assembled in a graceful, alternating pattern of slender and bulbous forms that together, bring his work alive.

The magic of Alumina comes from the optical illusion that it produces. Payce has created a three-dimensional representation of Rubin’s vase, in which a figure (often a face) is revealed through the edges of two forms. Here, the negative space between the vessels produces silhouettes of six female portraits, bringing a whole other facet to the work.

Above photo credit: Grace Nickel

Alumina is just one piece in Payce’s impressive portfolio—much of his work animates negative space in the same way:

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via [Twisted Sifter]

Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.
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