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Surreal Ceramic Sculpture Captures the Carefree Bliss of Falling in Love

surreal ceramics by Johnson Tsang

It’s safe to say that we’re big fans of artist Johnson Tsang’s work. Earlier this year, we featured a collection of his mind-bending porcelain sculptures, and he even took over our Instagram for a weekend. Tsang is a prolific creator, and it seems like he's always working on a new, exciting project and sharing its progress with his enthusiast fans. One of his recent surreal ceramics is called The Kiss, and it’s a stunning sculpture that’s unlike the other pieces he’s produced lately.

Many of Tsang’s creations feature the human face that’s distorted in some way. And, that’s the case with The Kiss. The airy-looking sculpture appears to defy gravity as two people lock lips, their facial features formed from splashing liquid. Flowing drips and drops frame the couple in a graceful, curved shape. Formed by a combination of hand modeling and wheel throwing, this sculpture has an openness to it—both physically and emotionally—that his other works don’t have.

The optimistic nature of the The Kiss makes it seem ripe with possibilities and communicates the carefree bliss that comes from falling in love. In contrast, his other porcelain portraits appear less at ease. The stout, rounded faces are contorted, squashed, and stretched by hands that are often not their own. As a result, these characters look pained and troubled, like they’re haunted by inner demons that won’t set them free.

Artist Johnson Tsang is known for his surreal ceramics. His latest piece called The Kiss depicts a couple that's enjoying the carefree bliss of falling in love.

surreal ceramics by Johnson Tsang

surreal ceramics by Johnson Tsang

That sculpture is a optimistic departure from the rest of Tsang's current work, which featured portraits of pained subjects.

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Johnson Tsang: Website | Facebook | Behance | Instagram

All images via Johnson Tsang.

Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.
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