Over 900 Black Plastic Chairs Given New Life as Architecture

Unique Architecture Furniture Gallery

A former car showroom has found a new life as innovative modern architecture thanks to the studio CHYBIK+KRISTOF. Using the idea of “façade as a functional banner,” they’ve lined the exterior of a furniture gallery with over 900 black plastic seats. The memorable covering features layered chairs that compose an eye-catching and highly textural motif. Upon viewing the building, you instantly know that's it's got to do with interior design—essentially making the structure a giant advertisement.

The single-story building is now the home to the MY DVA group, which focuses on the production of office, school, and metal furniture. When they took over the showroom, it was outdated; the space was first established in the 1990s. The architects then had the unique challenge to design quickly and essentially around MY DVA, because they were already working inside. “Do it cheap, ideally for free,” architects Ondrej Chybik and Michal Kristof recall of the brief. This constraint proved integral in the success of their design. By adding the chairs (which each cost about $3.25USD), they inexpensively produced unique architecture that you won't soon forget.

In a creative use of modern architecture, studio CHYBIK+KRISTOF clad a furniture gallery in over 900 black plastic seats. The result is an unconventional business card.

Unique Architecture Furniture Gallery

Architectural Design

Architectural Design

In addition to creating the façade, CHYBIK+KRISTOF remodeled the interior. Open and airy, it has two parts—a showroom and an office. Circular curtains reveal furniture setups.

Architecture Modern Style

Furniture Gallery

Unique Modern Architecture

CHYBIK+KRISTOF: Website
h/t [Arch Daily]

All photos by Lukas Pelech.

Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.
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