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Blood Preserved in Plexiglass Embodies Life and Death


New York-based artist Jordan Eagles works with an unconventional and controversial material to create his crimson artworks–blood. About 15 years ago, the artist was discussing the connection between body and spirit with a friend which led him to ultimately embark on an artistic journey using blood he acquires from animal slaughterhouses. For Eagles, his work is a preservation and display of life and death. According to his statement, “The works become relics of that which was once living, embodying transformation, regeneration, and an allegory of death to life.”

When the artist first began working with the bright red fluids he didn't take into account the fact that blood oxidizes in open air and changes color to a sterile brownish hue over time. After realizing its transformative properties, Eagles proceeded to encase the vibrant crimson material in plexiglass and UV resin to retain its brilliant color and texture. He even takes his art to another level by manipulating it with heat and electricity to create spectacular patterns which are then projected onto walls with light running through the encasement. Additionally, the artist soaks gauze and fabrics with the procured blood as “a map of memory and homage to ancient wrapping rituals.”

Eagles' intriguing blood work is currently on display in an exhibition titled BLOOD/SPIRIT at the Museum of Contemporary Religious Art in St. Louis, Missouri through June 28, 2013.














Jordan Eagles website
via [Beautiful Decay]

Pinar

Pinar Noorata (she/her) is the Editorial Director at My Modern Met. She is a writer, editor, and content creator based in Brooklyn, New York. She earned her BA in Film and Media Studies from CUNY Hunter College. She has worked at major TV, film, and publishing companies as well as other independent media businesses. She also runs her own art & culture newsletter called The High Low. She first joined the My Modern Met team in 2011 as a Contributing Writer, pitching and publishing articles about a wide range of topics. Her expertise in visual media lends itself to in-depth analysis of varied art forms, including but not limited to painting, illustration, sculpture, installation, design, and photography. Pinar has a particular affinity for spotlighting up-and-coming artists, affording them a platform and offering a voice to lesser-heard individuals looking to break through, especially BIPOC creatives. She has helped multiple artists make a name for themselves and reach a wider audience over 10+ years as a writer and editor (both through long-form articles and short-form videos). When she isn’t writing, editing, or creating videos herself, Pinar enjoys watching films and TV, reading, crafting, drawing, frequenting museums and galleries, and volunteering at her local animal shelter.
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