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Reconstructing Reality in a Big Way

Believe it or not, artist Petros Chrisostomou works on a small scale. Looking at photo of his installations, you'd think he recreated everyday objects in a substantially larger size, enough to fill a room. You'd be half-right. His objects fill a room, but the space is considerably smaller than you'd imagine. In fact, they are model-sized replicas of rooms constructed by the artist.

Chrisostomou establishes new realities in his intricately detailed architectural models that are filled with common items that appear to be anything but. He turns the ordinary into extraordinary while playfully challenging the viewer's ideals of reality. Each of the constructed “rooms” are reproductions of spaces familiar to Chrisostomou. The kitchen with the eggs is an imitation of his real kitchen. The gigantic eggs are the “real” items. The native Londoner's still-life installation structures call into question what is real and what is a designed reality.

It's very interesting how my mind automatically assumed that the rooms in the photographs were real and the subjects in them were constructed sculptures. Looking over it again, I'm in awe of how the architecture is so precisely defined. There's a lot of work put into the modeled space that, in itself, it can be considered a beautiful work of art.

Petros Chrisostomou: Website

Pinar

Pinar Noorata (she/her) is the Editorial Director at My Modern Met. She is a writer, editor, and content creator based in Brooklyn, New York. She earned her BA in Film and Media Studies from CUNY Hunter College. She has worked at major TV, film, and publishing companies as well as other independent media businesses. She also runs her own art & culture newsletter called The High Low. She first joined the My Modern Met team in 2011 as a Contributing Writer, pitching and publishing articles about a wide range of topics. Her expertise in visual media lends itself to in-depth analysis of varied art forms, including but not limited to painting, illustration, sculpture, installation, design, and photography. Pinar has a particular affinity for spotlighting up-and-coming artists, affording them a platform and offering a voice to lesser-heard individuals looking to break through, especially BIPOC creatives. She has helped multiple artists make a name for themselves and reach a wider audience over 10+ years as a writer and editor (both through long-form articles and short-form videos). When she isn’t writing, editing, or creating videos herself, Pinar enjoys watching films and TV, reading, crafting, drawing, frequenting museums and galleries, and volunteering at her local animal shelter.
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