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Classic Sculpture Replica Is a Giant Melting Candle

New York-based sculptor Urs Fischer gives a whole new meaning to “roman candles.” The artist transforms a typical Roman statue into a form of unspoken performance art simply by incorporating an ignited wick into his wax replicas. Ultimately, the giant candles (of which there are technically three) are melted down.

Fischer's intriguing re-imagining of Giambologna's marble sculpture from the late Renaissance, titled The Rape of the Sabine Women, depicts the evolution of a solid, intricately detailed figure into a deconstructed, hardened puddle of wax. What's most fascinating about this installation as a whole is that the wax figures up on the pedestal are not the only works of art that are destined to soften and mutate into an abstract version of themselves. There is a deceivingly realistic office chair and an onlooking man that, too, are wax statues with lit wicks doomed to face the same fate.

It seems unthinkable for someone to put so much time and energy into producing such a fine series of carefully crafted artworks only to slowly undo all of their efforts, but it does make you think about each of the pieces' purpose. There's the actual art on display, the spectator, and the time that's put into the work (presumably represented by the office chair). Does any of it matter once its run in a gallery or museum has come to an end? Is art obsolete?

Here's Urs Fischer's installation in its entirety:

And here is the progression of the piece, once it's been lit:

An alternate view of the spectator, who also melts away:

urs fischer

Photo credit: Stefan Altenburger

Urs Fischer: Website
h/t: [My Eclectic Depiction of Life]

All images via Urs Fischer unless otherwise stated.

Pinar

Pinar Noorata is the Managing Editor at My Modern Met. She is a writer, editor, and content creator based in Brooklyn, NY. She earned her BA in Film and Media Studies from CUNY Hunter College and is an alumni of the Center for Arts Education’s Career Development Program in NYC. She has worked at NBC Universal, Penguin Books, and the Tribeca Film Festival as well as many other independent media companies. When she isn’t writing, editing, or creating videos herself, Pinar enjoys watching movies—anything from foreign art house films to mainstream blockbusters.
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