Posts by Kelly Richman-Abdou

Kelly Richman-Abdou

Kelly Richman-Abdou was a Contributing Writer at My Modern Met. An art historian living in Paris, Kelly was born and raised in San Francisco and holds a BA in Art History from the University of San Francisco and an MA in Art and Museum Studies from Georgetown University. When she’s not writing, you can find Kelly wandering around Paris, whether she’s leading a tour (as a guide, she has been interviewed by BBC World News America and France 24) or simply taking a stroll with her husband and two tiny daughters.
May 4, 2019

Take a Sweet Peek Inside Paris’ Oldest Chocolate Shop

As the confectionery capital of the world, Paris has no shortage of candy shops. To succeed in a sea of macarons and madeleines, these confiseries must prove that they're the cream of the crop—a feat that family-run chocolate shop À la Mère de Famille has continuously accomplished for two-and-a-half centuries. À la Mère de Famille was founded in 1761 by Pierre-Jean Bernard, a young grocer.

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May 1, 2019

The Story Behind Paris’ Iconic Art Nouveau Metro Entrances

Paris has no shortage of awe-inspiring architecture. With show-stealing sites like the Eiffel Tower and the Louvre Museum, the “City of Light” is famous for its larger-than-life landmarks. In addition to towering tourist destinations, however, Paris also showcases its architectural prowess on a much smaller scale, as demonstrated by its distinctive collection of Art Nouveau metro entrances.

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April 27, 2019

8 World-Famous Artists Who Were Drawn To Working in Pastel

When you think of great artists like Pierre-Auguste Renoir and Pablo Picasso, chances are their works on canvas come to mind. However, most of art history’s master painters dabbled in more than just oils and acrylics. In fact, many had a penchant for pastel. Whether used to sketch preliminary studies or create polished masterpieces, pastel has played a big role in many painters’ practices.

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April 21, 2019

Modern Technology Reveals a Hidden Painting Underneath Picasso’s ‘The Blue Room’

Modernist master Pablo Picasso once observed that “there is only one way to look at things until someone shows us how to look at them with different eyes.” Though likely referencing the ability of avant-garde art movements to shift perspectives, this profound statement can also apply to other aspects of Picasso's practice—even when those “different eyes” require X-ray vision.

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