Installation

October 24, 2025

Artist Kara Walker Transforms Toppled Confederate Monument Into Haunting Sculpture

In 1921, an equestrian statue of “Stonewall” Jackson was unveiled beside the Albemarle County Courthouse in Charlottesville, VA. A century later, in 2021, the Confederate monument was toppled and subsequently deeded to the world-renowned artist Kara Walker. She was tasked with reimagining the 13-foot-tall statue, to transform its original myth into a searing examination of American history. Now, the final product has been unveiled.

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October 15, 2025

30,000 Ceramic Poppies Installation Commemorates 80th Anniversary of the End of WWII

A commemorative display at the Tower of London marks the 80th anniversary of the end of World War II. Featuring a visually striking array of nearly 30,000 ceramic poppies, the installation is a poignant and beautiful way to remember the enormous sacrifices made by so many people during war. The plethora of poppies was created by artist Paul Cummins, originally for a 2014 installation titled Blood Swept Lands and Seas Red.

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October 2, 2025

Kinetic Artist and Domino Expert Build a “City” With 240,000 Wooden Planks

Building soaring structures with dominoes just to topple them over is a form of ephemeral art. And similar to land art, it is designed to be temporary. It all takes a lot of detailed calculation, careful design, and cautious building with the ultimate goal for it to all come down in a matter of seconds, hopefully as planned. Few creatives have mastered this art form, building their entire careers around this craft.

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September 29, 2025

Laser-Cut Cube Immerses Visitors in Light and Pattern at the Seattle Asian Art Museum

Artist Anila Quayyum Agha is making her debut in the Pacific Northwest. Her illuminated, large-scale installations are currently on display at the Seattle Asian Art Museum (SAAM), cloaking its galleries in intricate projections that immerse the viewer in patterned worlds. The exhibition, titled Anila Quayyum Agha: Geometry of Light, marks the first solo exhibition of a Pakistani-American artist in the Seattle Art Museum’s 90-year history. Light and shadow are equal participants in Agha’s sculptures.

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