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Hyperrealistic Colored Pencil Drawings Perfectly Recreate Lustrous Blobs of Paint

Hyperrealistic Drawings of Oil Paint

At first glance, the work of artist Cj Hendry looks like pictures of oil paint photographed on a smooth canvas. But, look again—they’re actually a series of hyperrealism drawings called Complimentary Colors. The Australian artist—a former finance student—has produced the luscious blobs using only colored pencils. Thanks to her expert handling of the medium, she has layered the dry pigment so that it has the sheen and viscosity you’d expect from paint.

The vibrant series is a departure from Hendry’s typical style. Prior to starting Complimentary Colors, she worked exclusively in black and white, with subject matter depicting objects in pop culture—like a Chanel perfume bottle and Kayne West’s face on a $100 bill.

So, why the change? It was thanks to the fashion brand Christian Louboutin. They commissioned Hendry for an exhibition of the same name that appeared during Art Basel Hong Kong. To prepare the original pieces for the show was a meticulous process. It took anywhere from a “day or two” up to four weeks to complete one drawing, because of the effort that goes into creating a single hue. Hendry explained she used “12 different colors from black to brown to white. It [was] way harder than I thought.”

Artist Cj Hendry fools the eye with her hyperrealistic art.

Hyperrealistic Art

Using colored pencils and a lot of patience, she perfectly recreates luscious blobs of oil paint.

Hyperrealistic Drawings of Oil Paint

Hyperrealistic Drawing of Oil Paint

 

Hyperrealistic Art

Hyperrealistic Art

Here's Hendry in action, putting finishing touches on some silky pink paint.

A post shared by Cj Hendry (@cj_hendry) on

Cj Hendry: Website | Instagram

All images via Cj Hendry.

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Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.
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