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Van Gogh Self-Portrait Thought to Be a Fake for Decades Is Now Confirmed as Real

'Self-Portrait (1889)' by Vincent Van Gogh

Photo: The National Museum / Anne Hansteen

Vincent van Gogh is known for both his extreme talent and tumultuous history. Plagued by mental illness, he had periods of great suffering, which eventually led him to sever part of his left ear. Aside from famous works like Starry Night and his Sunflowers series, he is also known for the 35 self-portraits he created. Now, experts have confirmed an additional self-portrait and, interestingly, it’s the only one he ever painted during a bout of psychosis.

Self-Portrait (1889) was purchased by Norway’s National Museum in 1910 as an original Van Gogh, but questions about its authenticity were brought up in the 1970s. Critics pointed to what they felt were unusual color choices, as well as the decision to flatten brush strokes with a palette knife, as anomalous for the great painter. To put the issue to rest, the museum called on experts from Amsterdam’s Van Gogh Museum in 2014 to study the work closely and make a final determination. According to those experts, Self-Portrait (1889) is most certainly by Van Gogh.

Researcher Louis van Tilborgh from the Van Gogh Museum presented the findings of the team’s technical and stylistic analysis, stating that there was no doubt that the work is by the master of Post-Impressionism. According to Van Tilborgh, it’s the “only work Van Gogh is known to have painted while suffering from psychosis.”

Soon to be published in The Burlington Magazine, the team’s extensive research covered the painting’s provenance (owner history), a technical look at the canvas and color swatches, as well as a comparative analysis of the painting’s style and composition.

Researchers Examining 'Self-Portrait (1889)' by Vincent Van Gogh

A conservator from Norway’s National Museum examining the painting prior to a loan. (Photo: The National Museum / Anne Hansteen)

Van Gogh’s gaunt face and tired eyes certainly show his mental state. In a September 20, 1889 letter to his brother Theo, Van Gogh mentions painting a self-portrait as “an attempt from when I was ill.” Researchers believe he was referring to this painting, as the type of canvas, brushwork, and color palette are all in keeping with other paintings created between late summer and autumn 1889. Van Tilborgh even points to Van Gogh’s vulnerable gaze as evidence of his mental state, stating that this shy, sideways glance “is often found in patients suffering from depression and psychosis.”

In July of that year, he’d been admitted to an asylum after he tried to swallow paint. That August, once he was well enough to write his brother, he requested that he be provided paints. Van Tilborgh believes he would have painted Self-Portrait (1889) just a few days later. Interestingly, the date of this painting places it about eight months after the painter had mutilated his ear. In the oil painting, his ear appears to be partially missing, but it’s important to remember that Van Gogh would have been looking in a mirror to create the work. That means the ear we’re seeing is actually his right ear, which was still intact.

Still, Van Tilborgh argues that Van Gogh would have known that viewers would perceive the ear in the painting as his left ear. The art historian believes that Van Gogh went in with a palette knife after painting the ear and scraped portions of it off in an attempt to bring out his anguish.

The story of Van Gogh’s Self-Portrait (1889) is fascinating not only for lovers of this masterful painter, but for those interested in the complex story of a singular painting. The work is a learning lesson in how art historians’ opinions of artworks can change and evolve over time, leading to different attributions throughout the course of a painting’s life.

Currently, Self-Portrait (1889) is on loan to the Van Gogh Museum and will be part of the exhibition In the Picture, which opens February 21, 2020.

h/t: [The Art Newspaper]

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Jessica Stewart

Jessica Stewart is a Contributing Writer and Digital Media Specialist for My Modern Met, as well as a curator and art historian. She earned her MA in Renaissance Studies from University College London and now lives in Rome, Italy. She cultivated expertise in street art which led to the purchase of her photographic archive by the Treccani Italian Encyclopedia in 2014. When she’s not spending time with her three dogs, she also manages the studio of a successful street artist. In 2013, she authored the book 'Street Art Stories Roma' and most recently contributed to 'Crossroads: A Glimpse Into the Life of Alice Pasquini'. You can follow her adventures online at @romephotoblog.

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