Massive 16th Century Sculpture of a Guardian Colossus

COLOSSEO DELL'APPENNINO AL PARCO VILLA DEMIDOFF

Shrouded within the park of Villa Demidoff (just north of Florence, Italy), there sits a gigantic 16th century sculpture known as Colosso dell'Appennino, or the Appennine Colossus. The brooding structure was first erected in 1580 by Italian sculptor Giambologna. Like a guardian of the pond in front of him, the giant is in an endless watchful pose, perched atop his earthy seat.

At one point, the colossal figure stood amidst a number of other bronze statues, many of which have now gone lost or stolen. The massive brick and stone structure withstood centuries in the same spot, managing to maintain its figurative composition in all that time.

The park that the colossus is situated in, once built as an estate for the mistress of an Italian duke, serves as the perfect setting for the gentle giant. His presence demonstrates a connection between man and nature. The massive size of the structure also echoes the relationship that is greater than reality. The colossus presents a surreal bond to nature.

Colosso dell'Appennino, or the Appennine Colossus, is a giant 16th century Italian sculpture that sits just north of Florence.

Il Colosso dell'Appennino

Barba di pietra

Il colosso dell’Appennino di Giambologna

Il Colosso dell'Appennino 4

Il Colosso dell'Appennino

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Pinar

Pinar Noorata (she/her) is the Editorial Director at My Modern Met. She is a writer, editor, and content creator based in Brooklyn, New York. She earned her BA in Film and Media Studies from CUNY Hunter College. She has worked at major TV, film, and publishing companies as well as other independent media businesses. She also runs her own art & culture newsletter called The High Low. She first joined the My Modern Met team in 2011 as a Contributing Writer, pitching and publishing articles about a wide range of topics. Her expertise in visual media lends itself to in-depth analysis of varied art forms, including but not limited to painting, illustration, sculpture, installation, design, and photography. Pinar has a particular affinity for spotlighting up-and-coming artists, affording them a platform and offering a voice to lesser-heard individuals looking to break through, especially BIPOC creatives. She has helped multiple artists make a name for themselves and reach a wider audience over 10+ years as a writer and editor (both through long-form articles and short-form videos). When she isn’t writing, editing, or creating videos herself, Pinar enjoys watching films and TV, reading, crafting, drawing, frequenting museums and galleries, and volunteering at her local animal shelter.
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