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Tree-Like Pattern Dug into the Ground Makes a Desolate Green Field Come Alive

Earthworks Art

Great land art reimagines the world in ways we never expected. From Andy Goldsworthy’s complex leaf arrangements to Robert Smithson’s iconic Spiral Jetty, earthworks art is a mesmerizing facet of the creative world. Carrying on this great tradition is Krisztián Balogh. His 2012 site-specific installation called World Tree embeds a branch-like motif into the soft grass. The appearance is both striking yet subtle—Balogh's handiwork looks like it could naturally occur, but its precision has to be the work of human intervention.

The sprawling networks are small connected pathways dug into the ground and filled with water. Measuring about 32 feet wide, World Tree is located in an otherwise desolate field. This adds to the eerie, surreal quality of Balogh’s work. From a certain angle, the reflection from the liquid illuminates the design. As a result, it looks like an alien form has suddenly appeared—as if the earth has taken on a life of its own.

In 2012, artist Krisztián Balogh created land art called World Tree. The striking site-specific installation featured a series of small interconnected streams.

Earthworks Art

Earthworks Art

Earthworks Art

From the right angle, the piece glows and brings the desolate field to life.

Land Art

Land ArtEarthworks Art

Krisztián Balogh: Behance
h/t: [Colossal]

All images via Krisztián Balogh.

Related Articles:

21 Unforgettable Examples of Land Art

Stunning Circular Land Art Made of Rocks and Leaves

Storybook-Style Land Art Scattered Across a Forest in Italy

Mirrored House Camouflages into the Mountainous Californian Desert

Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.
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