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Interview: Surreal Paintings of Women Exploring Areas Affected by Climate Change

The portraits in this series (and in your body of work on a larger scale) showcase “empowered female characters” as their subjects. What role does the female identity play in this series and in your practice in general?

Feminine identity and strength is a huge part of my work. In relation to the art history we are usually taught, the perspective that comes from a female artist is still a relatively new development. But in my work especially, the collaborations with my models help to reinforcing this feminine perspective. All of the models I collaborate with are creative forces of their own— artists, photographers, musicians, and muses. I'm trying to capture some of their amazing essence in these portraits, while also transforming them into larger than life or mythic figures. Playing with hidden identities is also super interesting, whether it's through organically transformed features or the protective mirrored masks some of the figures in this series are wearing.

Each painting is intricately laser-cut. What inspired this aesthetic choice?

Originally, the laser-cut edges evolved out of necessity. My deep love of Baroque and Rococo artwork always made me crave super thick and ornate frames for my paintings. But as I started shipping my work to art shows around the country, those big frames became super cumbersome. I'm constantly experimenting with any new technology I can get my hands on, so when the print studio I work with (Bellevue Fine Art Reproduction) got a laser-cutter, I knew there was an opportunity to try something new by integrating the frames into the paintings!

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

Over time, the laser-cut edges have become a crucial component of the pieces themselves. They're a new way to play with design and create a unique element that strengthens the physical experience of the piece. This series also features a new material, where the edges are clear and glitter when light sources are shining on them like melting ice.

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

Lastly, we love your portraits, and can’t wait to see what you have in store! Any upcoming projects or plans beyond Stranger Than Earth?

Thank you so much! I have some exciting future plans for later this year. In November my work will be in a four person show in Australia, which I will be also traveling to. And photographer Kindra Nikole and I are putting together a book with all the pieces we've created based on our joint Iceland trip!

Stranger Than Earth will be on view at Corey Helford Gallery in Los Angeles starting July 15th through August 12, 2017. Don't miss this mesmerizing show!

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

‘Landslide'

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

‘Last Shapes of Never'

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

‘The Colour of Storms'

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

‘The Colour of Storms' (Detail)

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

‘Reality Storm'

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

‘Superbloom'

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

‘Colorless Atoms'

Redd Walitzki Surreal Portraits Paintings of Women Climate Change Stranger Than Earth

Redd Walitzki: Website | Instagram | Facebook | Flickr 

My Modern Met granted permission to use photos by Redd Walitzki.

Related Articles:

New Mixed-Media Paintings by Andy Kehoe and Redd Walitzki

After Two-Year Absence, Audrey Kawasaki Is Back With Stunning New Art for Solo Show

Gorgeous Paintings of Females Experiencing Solitary Moments

Interview: Cancer Survivor Travels to Idyllic Iceland to Explore the Human Condition

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Kelly Richman-Abdou

Kelly Richman-Abdou was a Contributing Writer at My Modern Met. An art historian living in Paris, Kelly was born and raised in San Francisco and holds a BA in Art History from the University of San Francisco and an MA in Art and Museum Studies from Georgetown University. When she’s not writing, you can find Kelly wandering around Paris, whether she’s leading a tour (as a guide, she has been interviewed by BBC World News America and France 24) or simply taking a stroll with her husband and two tiny daughters.
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