Tsuchiya Kōitsu and the Rise of Shin-Hanga Prints in 20th Century Japan
In the early 1900s, Japan had undergone some dramatic changes. Just a few decades before, the country had opened itself up after more than 200 years of self-isolation, and the dual forces of industrialization and internationalism had begun taking root. It was within this shifting environment that Japanese artists revived ukiyo-e, a traditional form of woodblock printing, as shin-hanga (literally meaning “new prints”).













































































