14 of Art History’s Most Horrifying Masterpieces

Scary Art

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Finally, the Halloween season is here! While tricks, treats, and other goodies offer a conventional way to celebrate the spookiest time of the year, we like to get creative while we get into the holiday spirit. So, we've conjured up a spellbinding selection of scary paintings.

Featuring symbolic skulls, smiling spiders, and one very famous Scream, this art collection is sure to dazzle art lovers and scare-seekers alike this haunted holiday—one hair-raising artwork at a time.

To celebrate the spooky season of Halloween with an art history twist, we've put together a spine-tingling selection of scary art.

A Spooky Still Life

Cezanne Skulls

Paul Cézanne, “Pyramid of Skulls,” 1901 (Photo via Wikimedia Commons, Public domain)

Title
Pyramid of Skulls
Artist
Paul Cézanne
Year
1901
Medium
Oil on canvas
Size
37 cm × 45.5 cm (15 in × 17.9 in)
Location
Private collection

 

Modern art master Paul Cézanne painted Pyramid of Skulls at the turn of the century. Featuring only a stack of human skulls as its subject, this piece offers an ominous alternative to the artist's more traditional still life paintings of fruits and bottles.

While such eerie iconography was not typical of Post-Impressionism, artists had been incorporating skulls and other symbols of mortality into arrangements of objects since ancient times. Defined as memento mori, a Latin title that translates to “remember that you have to die,” this genre of painting focuses on the fleeting nature of life.

As he approached old age, Cézanne became increasingly fascinated by death. From 1898 until the end of his life in 1905, Cézanne painted several still lifes of skulls. While most of these depictions do not focus solely on the skeletal objects, Pyramid of Skulls places them at the forefront, forcing the viewer to confront them and, consequently, reflect upon death. “These bony visages all but assault the viewer,” art historian Françoise Cachin said, “displaying an assertiveness very much at odds with the usual reserve of domestic still life tableaux.”

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A Mythological Monster

Saturn Devouring His Son by Goya

Francisco de Goya, “Saturn Devouring His Son,” c. 1819–1823 (Photo: Museo del Prado via Wikimedia Commons, Public domain)

Title
Saturn Devouring His Son
Artist
Francisco de Goya
Year
c. 1819–1823
Medium
Mixed media mural transferred to canvas
Size
143.5 cm × 81.4 cm (56.5 in × 32.0 in)
Location
Museo del Prado (Madrid, Spain)

Between 1819 and 1823, the Spanish artist Francisco de Goya created his Black Paintings, a series of 14 particularly haunting pieces. Among the most famous of these frightening works of art is Saturn Devouring His Son, a gruesome painting of a father feasting on his child.

According to Roman mythology, Saturn (Cronus in Greek folklore) was the leader of the Titans. Saturn overthrew his father, Caelus, in an effort to become ruler of the universe. Fearing his own offspring would do the same, he killed and consumed each child shortly after birth—an atrocity Goya opted to portray in this Black Painting.

Goya did not create this series for the public. In fact, they were intended to decorate his own home, with Saturn Devouring His Son hanging—where else?—in the dining room.

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Biblical Revenge

Judith Slaying Holofernes

Artemisia Gentileschi, “Judith Slaying Holofernes,” 1614–1620 (Photo: Wikimedia Commons, Public domain)

 

Title
Judith Slaying Holofernes
Artist
Artemisia Gentileschi
Year
1614–1620
Medium
Oil on canvas
Size
158.8 cm × 125.5 cm (78.33 in × 64.13 in)
Location
Museo Capodimonte (Naples, Italy)

 

The paintings of Baroque painter Artemisia Gentileschi are characterized by a deep color palette, skilled use of light and shadow, and, most prominently, an iconographic focus on suffering female figures seeking—and getting—revenge. A painting that typifies this approach is Judith Slaying Holofernes, a masterpiece inspired by a tale from the Old Testament that sees a vengeful widow decapitating a threatening man.

When contextualized (within the context of the bible), Gentileschi's decision to portray the gory scene in graphic detail is not particularly unusual—especially for drama-loving Baroque artists. What sets Judith Slaying Holofernes apart from other allegorical paintings of the period, however, is that Gentileschi most likely snuck a sneaky portrait into the grisly piece, as the slain Holofernes bears a striking resemblance to Agostino Tassi, a fellow Italian artist who raped Gentileschi when she was 17 years old.

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Mysterious Memories

Scary Art Scary Paintings Frida Kahlo Girl with Death Mask

Frida Kahlo, “Girl with Death Mask (She Plays Alone)” 1938 (Photo: Wiki Art, Fair Use)

Title
Girl with Death Mask (She Plays Alone)
Artist
Frida Kahlo
Year
1938
Medium
Oil on metal
Size
14,9 x 11 cm (7 ¾" x 5 ¾" in)
Location
Nagoya City Art Museum (Nagoya, Japan)

 

Mexican painter Frida Kahlo is known for her collection of 55 self-portraits. While her most well-known works feature the artist as an adult, she also portrayed herself as a child in Girl with Death Mask (She Plays Alone).

This peculiar piece depicts a young girl standing before a barren landscape. In her hand, she holds a single yellow flower and, on her face, she wears a skull mask. Both of these props are characteristic of Día de los Muertosor Day of the Dead— prompting the viewer to reflect upon themes related to death. Finally, a beastly mask rests at her feet, adding even more mystery to the chilling painting.

Girl with Death Mask (She Plays Alone) was painted in 1938—the year before her dramatic divorce from fellow artist Diego Rivera. Like many works created during this time, this piece was likely inspired by Kahlo's feelings of isolation and loneliness. “I paint self-portraits because I am so often alone,” the artist famously said, “because I am the person I know best.”

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A Chilling Beheading

The Severed Heads by Gericault

Théodore Géricault, “The Severed Heads,” c. 1810 (Photo: Osama Shukir Muhammad Amin FRCP (Glasg) via Wikimedia Commons, CC BY-SA 4.0)

Title
The Severed Heads
Artist
Théodore Géricault
Year
1818
Medium
Oil on canvas
Size
61 x 50 cm (24 x 19.6 in)
Location
National Museum (Stockholm, Sweden)

As one of the pioneers of Romanticism, French artist Théodore Géricault was known for utilizing grand scale and dramatic narratives in his paintings. While The Raft of the Medusa is his most beloved work, he created a number of other works during his short life. Paintings like The Severed Heads reveal Géricault's keen interest in the macabre. Here, he portrays a pair of severed heads nestled in bloodstained cloth.

This painting was part of a series of still lifes Géricault made that focused on the human body. He depicted these eerie subjects to study anatomy and the way bodies decay.

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Visited by the Skeleton Specter

Takiyasha the Witch and the Skeleton Spectre

Utagawa Kuniyoshi, “Takiyasha the Witch and the Skeleton Specter” c. 1844 (Photo: Wikimedia Commons, Public domain)

Title
Takiyasha the Witch and the Skeleton Specter
Artist
Utagawa Kuniyoshi
Year
c. 1844
Medium
Woodblock print on paper
Size
71 x 35 cm (28 x 13.7 in)
Location
Honolulu Museum of Art (Honolulu, Hawai'i)

Edo period artist Utagawa Kuniyoshi created the woodblock print Takiyasha the Witch and the Skeleton Specter, in which a giant skeleton looms over two samurais as a woman reads a scroll in the wings. The unsettling image is based on a story from the Heian period in Japan that took place in 939 CE.

At that time, samurai warlord Taira no Masakado traveled from his home in Kantō and led an army to rally against the central government in Kyoto. He eventually tried to set up an “Eastern Court” in Shimōsa Province but was defeated and decapitated. His daughter, Princess Takiyasha, continued to live in the family’s shōen, turning to witchcraft and studying dark magic.

Kuniyoshi's piece shows her reading a spell to bring forth a Gashadokuro, a spirit that takes the form of a giant skeleton. It looks over Ōya Taro Mitsukuni and another samurai who were both sent to get the princess. Their plans were foiled by the haunting spirit.

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A Creepy-Crawly Creature

Scary Art Scary Paintings Odilon Redon Smiling Spider

Odilon Redon, “The Smiling Spider,” 1887 (Photo: Wikimedia Commons, Public domain)

Title
The Smiling Spider
Artist
Odilon Redon
Year
1887
Medium
Charcoal lithograph
Size
49.5 x 39 cm (19.4 x 15.3 in)
Location
Musée du Louvre (Paris, France)

 

In 1887, French Symbolist artist Odilon Redon created The Smiling Spider, a lithograph of an unusual arachnid with ten legs. Still, even with this extra set of limbs, the most peculiar thing about this spider is its unsettling grin, which the artist has delineated with a row of tiny teeth.

The Smiling Spider is one of many noirs, or “blacks” created by Redon between 1870 and 1890. Rendered in charcoal and as lithographs, these pieces illustrate the artist's interest in the obscure and, most importantly, are characterized by darkness—both in color and subject matter.

“Black is the most essential color,” Redon said. “It conveys the very vitality of a being, his energy, his mind, something of his soul, the reflection of his sensitivity. One must respect black. Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the most beautiful color of the palette or prism.”

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A “Scream Passing Through Nature”

Scary Art Scary Paintings Edvard Munch the Scream

Edvard Munch, “The Scream,” 1891 (Photo: National Gallery of Norway via Wikimedia Commons, Public domain)

Title
The Scream
Artist
Edvard Munch
Year
1893
Medium
Oil, tempera, pastel, and crayon on cardboard
Size
96 in x 92 in (243.9 cm x 233.7 cm)
Location
National Gallery and Munch Museum (Oslo, Norway)

 

Expressionist artist Edvard Munch is renowned for his dark and dreary paintings and prints. From 1893 until 1910, he produced his most famous masterpiece, The Scream, as a series of 4 works.

During this 17-year period, Munch recreated The Scream in crayon, tempera paint, and oil pastel. While the mediums vary from piece to piece, each one features the same subject matter: a mysterious figure standing on a bridge and holding his face as he screams.

While this scene appears dream-like, it was actually inspired by a real-life location and a particularly frightening phenomenon. “One evening I was walking along a path, the city was on one side and the fjord below,” Munch wrote in his diary. “I felt tired and ill. I stopped and looked out over the fjord—the sun was setting, and the clouds turning blood red. I sensed a scream passing through nature; it seemed to me that I heard the scream. I painted this picture, painted the clouds as actual blood. The color shrieked. This became The Scream.

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A Bad Dream

Scary Art Scary Paintings The Nightmare by Henry Fuseli

Henry Fuseli, “The Nightmare,” 1781 (Photo: Wikimedia Commons, Public domain)

Title
The Nightmare
Artist
Henry Fuseli
Year
1781
Medium
Oil on canvas
Size
101.6 cm × 127 cm (40.0 in × 50 in)
Location
Detroit Institute of Arts (Detroit, Michigan)

 

Henry Fuseli was a leading figure of Romanticism, a 19th-century art movement defined by dreamy iconography. In his most famous (and aptly named) painting, The Nightmare, Fuseli delves into the scary side of the subconscious.

This spine-tingling work of art shows a sleeping woman with an incubus—a male demon that preys upon women as they sleep—perched on her body. A ghostly horse emerges from behind a red velvet curtain, forming the only perceivable part of the blackened background.

Most art historians believe that The Nightmare was inspired by German folktales. According to legend, men who slept alone were visited by horse specters, while lone women were possessed by demons or the devil. By incorporating both of these frightening figures in the composition, Fuseli visually represents the manifestation of a living nightmare.

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Death is Victorious 

The Triumph of Death

Pieter Bruegel the Elder, “The Triumph of Death” 1562 (Photo: Wikimedia Commons, Public domain)

Title
The Triumph of Death
Artist
Henry Fuseli
Year
1562
Medium
Oil on panel
Size
117 cm × 162 cm (46 in × 63.8 in)
Location
Museo del Prado (Madrid, Spain)

 

For many, few things are scarier than death itself. In Pieter Bruegel the Elder's 1562 painting The Triumph of Death, an army of skeletons consumes the barren landscape that's on fire and absolutely wrecked. The army destroys the living and they have no chance of achieving salvation. Highly detailed and gruesome, the piece begs a long look to truly take in the unsettling sights of pure chaos.

This piece was a “moral work” by Bruegel and influenced by the idea of the Dance of Death. Also called the Danse Macabre, it's based on a medieval artistic allegory that death unites us all, no matter our station in life.

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A Monstrous Beauty

Medusa by Carvaggio

Michelangelo Merisi da Caravaggio, “Medusa,” 1597 (Photo: Wikimedia Commons, Public domain)

Title
Medusa
Artist
Michelangelo Merisi da Caravaggio
Year
1597
Medium
Oil on canvas mounted on wood
Size
60 cm × 55 cm (24 in × 22 in)
Location
Uffizi Gallery (Florence, Italy)

 

Caravaggio drew on the ancient Greek myth of Medusa for this frightening painting. It depicts the severed head of Medusa, a mythical monster who's described as a female woman with bronze hands and countless venomous snakes for hair. Legend has it that anyone who even so much as glanced at her would be turned to stone. Medusa was cursed by the Greek goddess Athena, who turned her into the venomous monster she became. Perseus, son of Greek god Zeus and princess Danae, decapitated Medusa using a shield given by Athena.

Caravaggio made two versions of his Medusa painting—one in 1596 and the other in 1597. In this work, Caravaggio used a mirror and painted his own face in the place of Medusa. He did so to indicate his immunity to her terrified expression. Though the head is decapitated, it still appears conscious, capturing Medusa's final horrific moments. Blood pours out from her severed neck, while her mouth hangs wide open, baring teeth.

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Scars of Conflict

 

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Title
The Face of War
Artist
Salvador Dalí
Year
1940
Medium
Oil on canvas
Size
64 cm × 79 cm (25.2 in × 31.1 in)
Location
Museum Boijmans Van Beuningen (Rotterdam, Netherlands)

 

While he is best known for his daring surrealist vision, Salvador Dalí was no stranger to the issues of the world around him.  Affected by the imagery of the Spanish Civil War and the beginning of World War II, Dalí painted The Face of War. This was during the brief time he lived in the United States, having escaped from Europe when he and his wife Gaia realized France was no longer a safe place following the outbreak of the conflict.

Also drawing from the myth of Medusa, the painting depicts a dry, corpse-like face surrounded by small snakes. Hovering over a barren landscape, the face wears an expression of fear and misery, which is replicated by the smaller faces that fill its mouth and eye sockets. In turn, those faces also have even tinier faces inside them, creating a seemingly infinite pattern.

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A Surreal Scene

Scary Art Scary Paintings Bosch Garden of Earthly Delights

Hieronymus Bosch, “The Garden of Earthly Delights,” c. 1500–1505 (Photo: Prado Museum via Wikimedia Commons, Public domain)

Title
The Garden of Earthly Delights
Artist
Hieronymus Bosch
Year
c. 1490 - 1510
Medium
Oil and grisaille on wood panel
Size
98 in x 73 in (249 cm × 185.8 cm)
Location
Prado (Madrid, Spain)

 

Though he lived 500 years ago, Hieronymus Bosch remains the master of the macabre. The Early Netherlandish Renaissance artist is known for his surreal paintings of otherworldly settings—like the fantastic and frightening Garden of Earthly Delights.

While little is known about the origins of this topsy-turvy triptych, it remains Bosch's most resonant work of art. Featuring hybrid animals, make-believe machines, and everything in between, the chaotic painting strikes a perfect balance between eye-catching peculiarity and nightmare-inducing horrors—especially when observed in detail.

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Scary Art Scary Paintings Bosch Garden of Earthly Delights

Hieronymus Bosch, “The Garden of Earthly Delights,” c. 1500–1505 (Detail)

A whimsical interpretation of the Bible's Story of Creation, the Garden of Earthly Delights proves that any subject can be scary if given a surreal twist.

 

Triptych of Terror

Triptych of Earthly Vanity and Divine Salvation Hans Memling front presentation

Hans Memling, “Earthly Vanity and Divine Salvation” c. 1485 (Photo: Wikimedia Commons, Public domain)

Title
Earthly Vanity and Divine Salvation
Artist
Hans Memling
Year
c. 1485
Medium
Oil on wood panel
Size
20 x 13 cm (7.9 x 5.1 in)
Location
Musée de Beaux-Arts (Strasbourg, France)

In Hans Memling's six-paneled masterpiece, Earthly Vanity and Divine Salvation, human vanity is juxtaposed with the terrifying reality of decay and death. Widely regarded as a major artist during the northern Renaissance, Memling was influenced by masters like Rogier van der Wyden and was especially noted for his highly detailed religious works and portraits. Painted in the 1480s, it demonstrates Memling's ability to blend beauty with horror through his depictions of angels and demons, decaying corpses, and Hell. The painting serves as an early example of art that explores horror while reflecting the period's preoccupation with morality and the afterlife.

Triptych of Earthly Vanity and Divine Salvation Hans Memling rear presentation

Hans Memling, “Earthly Vanity and Divine Salvation” (Rear) c. 1485 (Photo: Wikimedia Commons, Public domain)

Interestingly, the meaning of Memling's work furthers when considering the other side of the triptych. Different pairings of the iconography can significantly alter the viewer's interpretation. Only Vanity and Death are positioned together on the same side, while Hell and Christ, Hell and Death, and Memento mori and Coat of arms each appear on the same side once and once on opposite sides.

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Frequently Asked Questions

 

Who painted The Scream?

The Scream was painted by Norwegian artist Edvard Munch in 1891.

 

Who is The Nightmare artist?

The Nightmare was painted by Swiss painter Henri Fuseli in 1781.

 

What is scary art called?

Scary artwork goes by different names including Dark Art, Macabre Art, and Morbid Art. Regardless of its name, each one shares elements of horror.

 

This article has been edited and updated.

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Kelly Richman-Abdou

Kelly Richman-Abdou is a Contributing Writer at My Modern Met. An art historian living in Paris, Kelly was born and raised in San Francisco and holds a BA in Art History from the University of San Francisco and an MA in Art and Museum Studies from Georgetown University. When she’s not writing, you can find Kelly wandering around Paris, whether she’s leading a tour (as a guide, she has been interviewed by BBC World News America and France 24) or simply taking a stroll with her husband and two tiny daughters.
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