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Seattle Art Fair Celebrates PNW’s Glass Heritage Alongside Art From Beyond the Region

Seattle Art Fair 2025

Photo: Courtesy AMP

Art fairs are where the business of art takes place—pieces are bought and sold—but they’re also where art lovers convene to enjoy the act of viewing. The Seattle Art Fair returned for another year, highlighting these two facets of the art world. From July 17 to July 20, 2025, the city’s Lumen Field Event Center transformed into a vibrant gathering of galleries from the Pacific Northwest (PNW) and beyond.

It was the 9th edition of the Seattle Art Fair, with about 90 galleries showcasing artwork. In general, the fair emphasizes a regional flair, leaning into the PNW’s glass heritage and the influences of technology and the environment. This year was no different. Artist Niki Keenan, for instance, showed a diptych titled Meteor Flower in the Astral Islands, which “conjured the lush Pacific Northwest as a site of healing and transformation. Nathan Shafer and Mengloth Entertainment created an interactive augmented reality video game titled Head Touches Place: The Black Pyramid, which views the medium as a form of installation art. In this case, the piece fused conspiracy theory, folklore, and speculative gaming lore.

Glass is an important part of the region’s artistic legacy and was well-represented at the fair. The Museum of Glass in neighboring Tacoma and the Pilchuck Glass School (founded by the legendary glass artist Dale Chihuly) collaborated on live glassblowing demonstrations at the main entrance. There were other glass-focused presentations, including one from the Pittsburgh Glass Center and a “pop-up” installation hosted by the Corning Museum of Glass featuring contemporary glass artists.

Community plays an important role within the fair itself. In partnership with the Seattle Art Museum, the institution hosted educational talks, curated tours, and special programming to deepen visitors’ understanding and appreciation of contemporary art. By doing this, the Seattle Art Fair is helping to create a community-forward art experience that both collectors and art-curious visitors can appreciate.

The Seattle Art Fair returned for its 9th edition from July 17 to July 20, 2025.

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

In general, the fair emphasizes a regional flair, leaning into the PNW’s glass heritage and the influences of technology and the environment.

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

In partnership with the Seattle Art Museum, the institution hosted educational talks, curated tours, and special programming to deepen visitors’ understanding and appreciation of contemporary art.

Seattle Art Fair 2025

Photo: Courtesy AMP

The Museum of Glass in neighboring Tacoma and the Pilchuck Glass School (founded by the legendary glass artist Dale Chihuly) collaborated on live glassblowing demonstrations at the main entrance.

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair 2025

Photo: Courtesy AMP

Seattle Art Fair: Website | Instagram 

My Modern Met granted permission to feature photos by AMP.

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Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.
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