Art

September 8, 2026

When a Plate Shatters, This Artist Illustrates a New Story With the Broken Pieces [Interview]

Artist Rob Strati’s work begins when a dish shatters into pieces. Deep fragments in illustrative porcelain serve as the starting point for his drawings, which appear to bloom from the fractured shards. A plate, for instance, featuring a bucolic farm-life composition is extended to “reveal” more of the scene. In the broken spaces, and beyond the dish’s circular shape, a whole inky tableau plays out: ducks float along a stream as a deer looks on.

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September 5, 2026

Expansive Exhibition of Charcoal Showcases It in Many Monumental Forms

Artist Lee Bae brings more than five decades of artistic practice to Museum SAN in Wonju, South Korea, with En attendant. This large-scale exhibition is devoted to Bae’s sustained exploration of charcoal, transformation, and the cycles of nature. The exhibition also marks the first solo presentation by a Korean artist since the museum opened. It brings together painting, sculpture, installation, and video across six spaces, extending from the museum’s interior galleries into its surrounding landscape.

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September 4, 2026

Daniel Arsham Encases an 88-Year-Old Scotch in a Sculptural “Time-Worn Relic” Made of 8 Layers

The Balvenie and artist Daniel Arsham have collaborated on a special whisky that is the whole package—literally. The renowned single malt Scotch whisky distillery has recently unveiled the Eighty-Eight-Year-Old as part of its The 1931 Collection. At nearly a century aged (distilled in 1931), it’s the oldest whisky ever released by The Balvenie. To commemorate this once-in-a-lifetime spirit, the distillery tapped Arsham to create a “sculptural form” worthy of the prized liquid.

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September 1, 2026

Es Devlin Fills a Seoul Gallery With Books, Mirrors, Light, and Sound

British artist Es Devlin has spent more than three decades exploring what happens when people gather in a shared space. Her installations often transform architecture into a stage where books become gateways, light marks the passage of time, and strangers become temporary collaborators. Now, that approach takes center stage in 3rd Poem: Es Devlin, Come Home Again, her first solo exhibition in Korea.

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