Remote Island Transformed Into Tranquil Resort Merging Japanese and Danish Design

NOT A HOTEL Setouchi by BIG

Inspired by the design of a traditional Japanese house, BIG‘s NOT A HOTEL Setouchi merges Scandinavian and Japanese aesthetics. Located on Sagi Island, the firm's vision brings three villas and a restaurant to the island's southwestern cape.

BIG's plan prioritizes the natural landscape, offering sweeping views of the sea and restoring the undulating landscape. Olive trees, lemon trees, and other native vegetation will be reintroduced to enhance the island's natural beauty.

“Our design approach for NOT A HOTEL Setouchi wasn’t about imposing our ideas on the site; instead, it involved exploring, observing, and understanding the landscape,” explains Bjarke Ingels, BIG Founder and Creative Director. “We envisioned how to best leverage this distinctive and remarkable terrain and fixed upon a design that mirrors the elegance of traditional Japanese architecture.”

The three villas are angled at 180°, 270°, and 360° to correspond with the views they provide and are spread across different levels. The round 360° villa is situated at the highest level and offers a central courtyard for privacy. The 270° villa has a corresponding panorama and features bathing spaces arranged like floating islands around a pool, as well as a sauna and fire pit.

Poised at the tip of the peninsula, the 180° villa takes advantage of its position with its curved design that hugs the coastal landscape. With mossy pathways and trees that change color, it's an immersive experience with nature.

NOT A HOTEL Setouchi by BIG

These single-story dwellings are an homage to Japanese craftsmanship. The floors, walls, roofs, and façades respect traditional Japanese architectural elements while reimagining them for modern times. For instance, the glass façades are a modern interpretation of shoji screens, and the natural slate floors form patterns reminiscent of tatami mats.

Sustainability is also important to the design. The curved clay walls are formed using a traditional rammed earth technique with soil collected on-site. In addition, all of the roofs are covered with solar tiles, and rainwater collected from the roof will be used to irrigate the landscaping.

“Japan is one of the cultures in the world where commitment to craft and care for quality remains intact,” shares Ingels. “The honesty and simplicity of the structure and careful choice of materials can be said to have greatly influenced the traditional architecture of Japan and the modern architecture of Denmark. Maybe that's why when I go to Japan, I always feel like I'm coming home.

“NOT A HOTEL Setouchi will be an experiment in what happens when the sensibilities of both countries come together–the Danish desire for simplicity and the care and perfection of Japan.”

The site, which is spread across nearly 7.5 acres, will break ground later this year.

NOT A HOTEL Setouchi is a new project by BIG on a remote island in Japan.

NOT A HOTEL Setouchi by BIG

Render: LIT

NOT A HOTEL Setouchi by BIG

BIG NOT A HOTEL Render 17-By MIR

The resort is comprised of three villas and a restaurant set into the undulating landscape of Sagi Island.

NOT A HOTEL Setouchi by BIG

NOT A HOTEL Setouchi by BIG

NOT A HOTEL Setouchi by BIG

Render: LIT

The three villas are angled at 180°, 270°, and 360° to correspond with the views they provide.

NOT A HOTEL Setouchi by BIG

NOT A HOTEL Setouchi by BIG

Each dwelling is an homage to Japanese craftsmanship.

NOT A HOTEL Setouchi by BIG

NOT A HOTEL Setouchi by BIG

NOT A HOTEL Setouchi by BIG

“NOT A HOTEL Setouchi will be an experiment in what happens when the sensibilities of both countries come together–the Danish desire for simplicity and the care and perfection of Japan.”NOT A HOTEL Setouchi by BIG

Bjarke Ingels Group (BIG): Website | Facebook | Instagram | Twitter | LinkedIn

All renders by MIR except where noted. My Modern Met granted permission to feature renders by Bjarke Ingels Group.

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Jessica Stewart

Jessica Stewart is a Staff Editor and Digital Media Specialist for My Modern Met, as well as a curator and art historian. Since 2020, she is also one of the co-hosts of the My Modern Met Top Artist Podcast. She earned her MA in Renaissance Studies from University College London and now lives in Rome, Italy. She cultivated expertise in street art which led to the purchase of her photographic archive by the Treccani Italian Encyclopedia in 2014. When she’s not spending time with her three dogs, she also manages the studio of a successful street artist. In 2013, she authored the book "Street Art Stories Roma" and most recently contributed to "Crossroads: A Glimpse Into the Life of Alice Pasquini." You can follow her adventures online at @romephotoblog.
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