Burger King Is Using Giant Cardboard Crowns to Encourage Social Distancing in Germany

Giant Burger King Crown for Social Distancing

Many restaurants around the world are slowly opening up again, but they still have to ensure customers stay a safe distance apart. Last week, we reported on a café in Germany using pool noodles on hats, but this isn’t the only German establishment to adopt novelty headwear as a tool to help curb the spread of COVID-19. The nation’s Burger King branches recently introduced giant “social distancing crowns,” forcing customers to stand 6 feet apart.

You might remember Burger King’s cardboard crowns from your childhood, but the fast food chain has updated the classic design to a jumbo size headpiece that looks more like a sombrero than a crown. Each Burger King customer receives a folded, flat version of the hat which they then have to build themselves. “We wanted to reinforce the rules of high safety and hygiene standards that the BK restaurants are following,” a Burger King representative states. “The do-it-yourself social-distance crown was a fun and playful way to remind our guests to practice social distancing while they are enjoying food in the restaurants.”

This isn’t the only idea Burger King is trying. In Italy, the food chain is selling a “social distancing whopper”—a burger that has three times the amount of raw onions, so that it gives people bad breath and therefore keeps others away. It's a stomach-turning approach, but also kind of genius!

Burger King branches in Germany recently introduced giant “social distancing crowns,” forcing customers to stand 6 feet apart.

Burger King Germany: Website | Facebook
h/t: [designboom]

All images via Burger King.

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Emma Taggart

Emma Taggart is a Staff Writer and Video Editor at My Modern Met. She earned a BA in Fashion and Textile Design at the University of Ulster in Belfast. Originally from Northern Ireland, she lived in Berlin for many years, where she fostered a career in the arts, dabbling in everything from illustration and animation to music and ceramics. She now calls Edinburgh home, where she continues to work as a writer, illustrator, and ceramicist. Her ceramics, often combined with hand-painted animation frames, capture playful scenes that celebrate freedom and movement, and blend her passion for art with storytelling. Her illustrations have been featured in The Berliner Magazine as well as other print magazines and a poetry book.
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