Black Mothers Act Out Their Fears of Holding Limp Bodies of Their Sons in the U.S.

Woman Holding Son Like Pieta Art

“Untitled 39, Santa Monica, CA”

Photographer Jon Henry uses his artistic voice to offer a moving perspective on the murder of Black people by U.S. police. His series Stranger Fruit—named after the Billie Holiday song—depicts mothers with their sons as they reenact a scenario that is a very real fear for Black families in America. The photos feature sons, lifelessly draped in their mothers’ arms, in a pietà-esque pose that recalls works from art history. “The mothers are often forgotten in this,” Henry explains to My Modern Met, referring to the larger social issue, “and they should never have to endure this pain.”

Henry began Stranger Fruit in 2014 and it is nearly complete. “The project has stayed the same [since the beginning], conceptually,” he says, “just grown in scale as I’ve gone to more and more locations and connected with more families.” He makes these connections online and through his extended social network. Henry then meets the families where they live. The locations span the country, offering a reminder to viewers that Black people everywhere fear for their safety.

Once acquainted with his subjects, Henry shares visual inspiration—the most obvious being Michelangelo’s Pietà. But beyond that particular reference, Stranger Fruit is also informed by contemporary works of art. “The most important references are Renee Cox’s Yo Mama’s Pieta and David Driskell’s Behold Thy Son. Both were breakthroughs as they were renditions by contemporary Black artists.”

Henry was recently awarded the Arnold Newman Prize for New Directions in Photographic Portraiture. The $20,000 annual prize is given by Maine Media Workshops + College to a photographer “whose work demonstrates a compelling new vision in photographic portraiture.”

While recognized by institutions who seek out excellence, Stranger Fruit is meant to have an emotional impact on the greater culture—and hopefully, evoke a sense of social responsibility. It’s the ultimate goal of the series “for viewers to understand the gravity of what is happening,” Henry says. “People are dying for no reason due to fear and hatred.”

In his Stranger Fruit series, photographer Jon Henry invites Black mothers and their sons to pose in a way that evokes Michelangelo’s Pietà.

Woman Holding Son Like Pieta Art

“Untitled 19, Magnificent Mile, IL”

The powerful pose is a reference to art history and a form of visual commentary on social issues plaguing Black Americans.

Woman Holding Son Like Pieta Art

“Untitled 35, North Minneapolis, MN”

Woman Holding Son Like Pieta Art

“Untitled 45, Oakland, CA”

“The mothers are often forgotten in this, and they should never have to endure this pain.”

Woman Holding Son Like Pieta Art

“Untitled 48, Inglewood, CA”

Woman Holding Son Like Pieta Art

“Untitled 55, Little Rock, AR”

Woman Holding Son Like Pieta Art

“Untitled 42, Central LA, CA”

Woman Holding Son Like Pieta Art

“Untitled 51, New Orleans, LA”

Woman Holding Son Like Pieta Art

“Untitled 49, Washington, DC”

Woman Holding Son Like Pieta Art

“Untitled 33, Jersey City, NJ”

Woman Holding Son Like Pieta Art

“Untitled 24, Birmingham, AL”

Woman Holding Son Like Pieta Art

“Untitled 44, Crenshaw Blvd, CA”

Jon Henry: Website | Instagram

My Modern Met granted permission to feature photos by Jon Henry.

Related Articles:

25 Stunning Portraits of Black Women in Ethereal Fantastical Photography

Glittering Gold Portraits Celebrate the Beauty of Black Hair in the Style of Gustav Klimt Paintings

Fairytale-Inspired Portraits Reimagine Disney Princesses as Regal Young Black Girls

Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met, Manager of My Modern Met Store, and co-host of the My Modern Met Top Artist Podcast. As an illustrator and writer living in Seattle, she chronicles illustration, embroidery, and beyond through her blog Brown Paper Bag and Instagram @brwnpaperbag. She wrote a book about embroidery artist Sarah K. Benning titled 'Embroidered Life' that was published by Chronicle Books in 2019. Sara is a graduate of the Maryland Institute College of Art. She earned her BFA in Illustration in 2008 and MFA in Illustration Practice in 2013.
Become a
My Modern Met Member
As a member, you'll join us in our effort to support the arts.
Become a Member
Explore member benefits

Sponsored Content